How to Analyze · Part 2 of 8

How to Analyze an Advertisement

Advertisements are arguments; compressed, visual, emotional, and deliberately opaque about their own persuasive intentions. Here is how to read them clearly.

Series How to Analyze Read 8 min

Advertising is the most ubiquitous rhetorical form in modern life; and one of the least consciously analyzed. Most advertising works precisely by not being experienced as argument: it presents itself as entertainment, aspiration, information, or emotional experience while quietly installing preferences, associations, and desires that its audience did not consciously choose. Learning to analyze advertisements is learning to see these invisible arguments; a form of literacy that is both intellectually valuable and personally empowering.

Advertisement Analysis

The systematic examination of an advertisement's visual and verbal elements, its appeals to credibility, emotion, and reason, its ideological assumptions, and its techniques for creating desire and motivating action; with the goal of understanding how it works and what it is doing to its audience.

Step One: Establish Context

Before analyzing an advertisement's content, establish the context that shaped its construction:

Step Two: Identify the Rhetorical Situation

Every advertisement responds to an exigence; a problem the advertiser perceives in the market. The exigence might be: low brand awareness, a competitor's recent campaign, declining market share, a new product requiring introduction, or a reputational problem requiring management. Identifying the exigence tells you what work the advertisement is trying to do and gives you a standard for evaluating whether it succeeds.

Step Three: Analyze the Three Appeals

Ethos: How the Advertisement Builds Brand Credibility

Ask how the advertisement constructs authority and trust:

Pathos: The Emotional Architecture

This is where most advertising analysis should spend the most time, because pathos is the primary mode of most advertising persuasion:

Emotional Architecture in Practice

A life insurance advertisement might open with images of a happy family, then introduce a brief moment of vulnerability (a child asking "will you always be here?"), then resolve with a warm scene of security; all without stating an explicit argument. The emotional arc is the argument: love creates vulnerability; vulnerability creates need; the product addresses the need. Every image, every music cue, every edit serves this emotional syllogism.

Logos: The Explicit and Implicit Claims

Most advertising logos is implicit rather than explicit; the advertisement makes claims through juxtaposition and association rather than through stated propositions. Ask:

Step Four: Analyze Visual Elements

For any visual advertisement, analyze the following dimensions systematically:

Composition and Hierarchy

What is visually dominant; what draws the eye first? This is the advertisement's primary argument. What is secondary, tertiary? The visual hierarchy encodes the rhetorical hierarchy: the most important claim gets the most visual emphasis.

The Gaze

Who looks at whom in the advertisement? Direct eye contact with the viewer creates a relationship of address; the figure in the ad is speaking to you. An averted gaze positions the viewer as observer of a scene. The direction of a figure's gaze leads the viewer's eye and implies narrative continuation. These are rhetorical choices about the viewer's relationship to the image.

Color and Light

Color is emotional argument. Warm colors (red, orange, gold) create urgency, appetite, warmth, desire. Cool colors (blue, green, white) create calm, trust, cleanliness, reliability. The color palette of an advertisement is a deliberate emotional argument calibrated to the product's positioning.

Typography

Font choices are ethos choices. Serif fonts (Times, Garamond) signal tradition, authority, reliability. Sans-serif fonts (Helvetica, Futura) signal modernity, clarity, accessibility. Script fonts signal elegance, personalization, femininity. Every font choice makes an argument about the brand's character before a word is read.

Step Five: Identify the Identification Strategy

Burke's concept of identification is central to advertising analysis. Every advertisement invites the viewer to identify with someone; a person depicted, a lifestyle implied, a community implied. Ask:

Step Six: Excavate Ideological Assumptions

Advertisements do not merely sell products; they reproduce and reinforce ideological assumptions about gender, race, class, beauty, success, and the proper relationship between consumption and identity. A complete analysis asks:

The Analyst's Four Questions

For any advertisement: (1) What emotion is this trying to make me feel? (2) What identity is it inviting me to claim? (3) What claim is it making, explicitly or implicitly? (4) What ideological assumptions does it normalize? These four questions, applied systematically, expose the full rhetorical and ideological structure of virtually any advertising message.

Step Seven: Evaluate Effectiveness and Ethics

Finally, assess how effectively the advertisement achieves its purposes and whether its methods raise ethical concerns. Effectiveness is measured against the advertisement's own goals: a luxury brand advertisement that successfully communicates exclusivity to its target audience may be effective even if it alienates a broader general audience. Ethical analysis asks whether the advertisement's methods are honest; whether it makes claims it cannot support, exploits psychological vulnerabilities, or normalizes harmful ideological assumptions.

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